Showing posts with label emily dyer emilydyer. Show all posts
Showing posts with label emily dyer emilydyer. Show all posts

April 21, 2011

And Now They are Fired...




A couple of blog posts ago, I shared some sketches that I discovered in my ongoing studio cleanout. The finished plates just came out of the kiln and I'm really happy with them. I think they successfully reference the folk art quilt themes that inspire me but with a fresh, more contemporary twist and in my own illustrative "language." I read somewhere once, that you should never trace anything when creating illustrations but always redraw it free hand while referencing the source. This way it will always be translated through your own eye and hand, making it unique and special. This stuck with me and I always use this technique when creating my designs. The first batch of plates is available for sale here

March 08, 2011

And they're out of the kiln!


Here are the first round of fired and glazes dishes from the molds I made in the workshop I took last month with Hiroe Hanazono. They have some imperfections and a few glaze problems because I was rushing them through to see how they would work out, but I am pretty happy with them. They're adorable and I am learning so much from trying the process out. The ideas are simmering of where I could take this and I'm already seeing some larger flower shaped serving dishes in my future! Now, just to find the time. These are not in the etsy shop yet, as they're only prototypes, but I did just list some cute new lunch plates here. As my 4 year old pointed out, they're just the right size for your peanut butter sandwich. He's now requesting some with "boy" designs: trains, dinosaurs, robots...It would be a different subject matter for me, but they sure would be darn cute. What would you like to see on your lunch plate?

February 25, 2011

First Casts!

I finally got a chance to try out the slip casting molds I made in the Hiroe Hanazono workshop I took earlier in the month. I haven't done a lot of slip casting, so the whole process always feels a little intimidating to me. Here are the molds full of slip, waiting to set up so I can pour it out.

Here are the first casts out of the molds! I definitely have some work to do on fine tuning my molds and forms, but I'm excited about the potential. It seems like it could be a great way to add some new more complex forms to my body of work. Now just to find the time...

P.S. Happy Birthday to me!!!!