Getting Organized!

Besides from getting a great glaze load with lots of tests out of the kiln this week, I'm also really proud of getting all my design patterns FINALLY organized into binders. At first glance, this might not seem monumental, but it is going to save me so much time finding things and I've had the binders, sleeves and dividers sitting on my workbench for at least 6 months. Every time I decorate, I'm digging through a messy pile of transparent patterns trying to find the one I'm looking for. Now I can spend more energy on new designs and getting work made instead of searching for lost patterns. Yay!

May Giveaway - Win a Berry Bowl Set!

I am doing my first ever giveaway this month! How do you use my pottery/tiles in your home and daily life? Customers are always telling me about that favorite mug that they fight over, or how that vase looks just perfect in their living room, but I rarely get a chance to see it. I'm hoping to put together an album that I can pull out when I get that perpetual art fair question, "Well, I just love it, but what would I do with it?" Send me a digital picture showing my work in your home, on your table, or otherwise in use, and get entered in my May giveaway. You will be entered once for each image submitted. Submit as many as you like. By sending me your photos, you are agreeing that I may use them on my blog, facebook page, website or in-studio (of course, anonymously, without your name or other personal information listed.) Include your name and contact information in the email so I know where to find you if you are the winner, and also any other story or note about how you use my work. I will be taking submissions through the end of May and will be drawing the winner on Friday, June 1, 2011. Email submissions to: emily@emilydyer.com. Or, you can also drop off prints or a cd at my studio or mail them to me at: Emily Dyer; Northrup King Building; 1500 Jackson St. NE, Studio 394; Minneapolis, MN 55413. I can't wait to see them!!!

And Now They are Fired...

A couple of blog posts ago, I shared some sketches that I discovered in my ongoing studio cleanout. The finished plates just came out of the kiln and I'm really happy with them. I think they successfully reference the folk art quilt themes that inspire me but with a fresh, more contemporary twist and in my own illustrative "language." I read somewhere once, that you should never trace anything when creating illustrations but always redraw it free hand while referencing the source. This way it will always be translated through your own eye and hand, making it unique and special. This stuck with me and I always use this technique when creating my designs. The first batch of plates is available for sale here. 

What once was lost...

I have been pretty good about sticking with my 15 minutes of organizing each day I'm in the studio. I'm starting to get past the surface clutter and move deeper into the abyss. It's amazing what I unlodged from hiding places in only about 20 minutes of studio purging and organizing this afternoon. The highlights:
• A whole batch of berry bowls thrown, wrapped in plastic, and then lost in the back of my wet rack. These must have been abandoned last summer in the third trimester of my pregnancy. Totally dried out...so sad!
• My little metal decorating turntable which I have been looking for since I got back in the studio this year!
• A plastic tub filled with cut out hearts carefully wrapped in between layers of fabric and plastic. These were an abandoned valentine's day project from TWO years ago. Also totally dried out.
• A stash of sketches, including these super cute oval plate designs that I never made. These were a treat to discover. I don't even remember when I drew these, but I think now that I've found them again they will soon find their way onto the next batch of plates! I love the one on the far right with the ruffly leaf and crisscross flower/pod design.

Spring Studio Clean Out Super SALE!

I am cleaning house, or rather, studio! It's time for all those imperfect but-still-lovely seconds, older pieces and mismatched pots to find new homes. I need to clean off my shelves to make room for new work and new ideas. I usually only do this once a year, if that, so make sure to visit my etsy shop and get them at sweet prices while they last. Whatever is left will be available in my studio on the First Thursday in April (April 7 from 5-9 pm, Northrup King Building, studio #394). My studio mates will be clearing work out too! Part of the impetus for this purging is a renewed commitment to getting things in order. I'm taking Alyson Stanfield's online Get Organized class this month and hope to make some headway taming my habit of piles of paper everywhere and email overwhelm. With the chaos my two little guys create in my life I need to do anything I can to keep things simplified and organized. I've already listed some sale items in the shop, and will keep posting throughout the month.

And they're out of the kiln!

Here are the first round of fired and glazes dishes from the molds I made in the workshop I took last month with Hiroe Hanazono. They have some imperfections and a few glaze problems because I was rushing them through to see how they would work out, but I am pretty happy with them. They're adorable and I am learning so much from trying the process out. The ideas are simmering of where I could take this and I'm already seeing some larger flower shaped serving dishes in my future! Now, just to find the time. These are not in the etsy shop yet, as they're only prototypes, but I did just list some cute new lunch plates here. As my 4 year old pointed out, they're just the right size for your peanut butter sandwich. He's now requesting some with "boy" designs: trains, dinosaurs, robots...It would be a different subject matter for me, but they sure would be darn cute. What would you like to see on your lunch plate?

A New Addition, Coming Soon!

I'm trying to wrap up all the loose ends both at home and in the studio in preparation for the arrival of my second child in early September. I can't believe the summer flew by without any new blog posts. I guess I found out it was much harder to make pots, do art fairs and basically hold everything together while pregnant and with a 3 year old at home. Somehow I did it, but a lot of stuff fell through the cracks. I'll be out of the studio for the next few months on maternity leave. In the interim, my studio in the Northrup King Building will be open for building events (First Thursdays and Art Attack) thanks to my great studiomates and you can find my work there! I will try to stop by as I can, hopefully showing off my new little man. I will also have new tile work at the Minnesota Tile Festival in Minneapolis on September 18 (thanks to my amazing studio assistant)! My etsy shop will be closed temporarily, but I plan to start posting again in a few months in time for holiday shopping, and I hope to be back in the studio making new work by the end of the year. I will not be taking any new custom orders until January 2011. Feel free to contact me, but know that I may be slow getting back to you as we adjust to our new addition.

Top Ten Pitfalls of the Pregnant Potter - Part 1

I've come across other articles and blog entries about parenting and pottery, how to balance family and work, the challenges of finding studio time with young kids, etc. But, I don't know if I've actually seen anyone address the reality of pregnancy while making pottery. It seems like maybe it's time. So, here is a partial list of the unexpected challenges pregnancy brings to the studio.

1. Not being able to reach the bottom level of the kiln anymore because your stomach is in the way and having to go begging artists down the hall for help.

2. Sticking your stomach into the side of a large bowl or platter while throwing it. I guess this could be a benefit if you go for the "mark of the artist" in your work. In my case, it just ruins the peice.

3. Crushing the rim of a freshly thrown pot with your newly burgeoning bosom. Again, could be a new decorative technique.

4. Can't get your elbow to your hipbone to brace yourself when trying to center a large lump of clay. I know it's back there somewhere!

5. Can't lift a box of clay. My doctor recommended not lifting more than 25#. You've got to be kidding me! Again, the embarrassing need to go soliciting help.

And, I'm just in my fourth month...it only gets better! I'll post the rest of the list later on in my pregnancy. Of course, by then maybe I'll be in that "serene" segment of my pregnancy with a "peaceful sense of wellbeing" and "radiant glow" (never happened with my first kid!) and won't feel like complaining anymore. Or, maybe I'll come up with the other 5 points in the middle of July when I'm standing outside in the heat and humidity doing art fairs in my 7th month. If you have personal experience, please feel free to add your comments if you feel I've missed anything important!

Remembering why I do this...

Sometimes the universe gives us what we need. After my last post I was really feeling sorry for myself and was seriously questioning what I'm doing. Then I unloaded my last kiln which along with a bunch of regular orders and the first of the holiday ornaments held a couple of very special pieces. When I took these out it was a huge reminder of why I do this and what's really important in life. One was a set of "lovebird" mugs one of my good friends commissioned for her nine-year anniversary. We designed them so the birds are facing each other when the mugs are displayed and we picked a flower design and colors that she loves. The other is an urn that will hold the ashes of an infant. I was honored to make such an important piece for her family. This jar came out exactly how I wanted it to--sweet and quiet but with a sense of happiness and joy, celebrating that little soul.  These two examples embody why I make the work I do. To make special, unique handmade items that connect with the people who use them.  To honor personal connections and celebrate our daily lives and relationships. 

Creative Crossroads or "Art"life Crisis?

While I usually find myself keeping my blog to more positive and newsy entries, I feel like I need to write about what I’ve been struggling with the last few weeks. So, I’ll get up on my soapbox. Whenever I complete a big production cycle and take time to regroup and get organized for the next phase of deadlines and events I always go through a period of reflection that can be positive (what worked, what sold, what I’m excited about working on) but often (due mainly to my nature) becomes negative (what didn’t work, what the heck am I doing? I need to go back to a “normal” job, etc.). I’ve been having a hard time getting myself through the sea of angst after this summer’s art fairs and I think I’m having some kind of “art”life-crisis. I’m not 100% sure why. My shows were actually pretty good, I won a couple of awards, I got lots of good feedback and had decent sales in light of the economy. But, I feel like I’m at some kind of crossroads and can’t figure out clearly which direction to go. I’ve come from a tradition of making functional work, but my current work has moved into such a decorative and time-intensive process that the model of making lots and lots of functional pieces (mugs, cereal bowls, etc) is becoming unrealistic with the amount of work that goes into each piece. As I’ve developed my illustration and decoration process, it’s become a meticulous series of steps to get the results I want. I don’t feel like I can compromise on this—it’s what makes my work special. Unfortunately (at least in this region) as long as your work is functional, no matter what kind of time has gone into the piece there is a definite ceiling on what you can sell a pot for. If it’s a mug, it should be $25. My mugs should be $100 based on time. I sell them for $36. When I raised the price to $40 this summer they stopped selling. I moved the price back. I hate to make creative decisions based on sales, but the reality is, this is my job. I need to contribute to my family’s bottom-line. I need to pay the bills. I need to save money so my kid can go to college some day and I won’t be bankrupt at retirement age. Just because I love my job and get to make beautiful things doesn’t mean I don’t deserve financial stability. My reality is this: I can only sell my pieces for as much as the market allows. I can only make so many pieces in a given amount of time. They actually are made by hand, from start to finish. If this doesn’t add up right, something has to change. So…then I start over-thinking the options. One possibility is to develop a “wholesale” or production line that is less time-intensive than my one-of-a-kind stuff.  Still, how to make enough of it and market it is opening another can of worms. Another option is to focus on moving my work farther from functional and closer to “art.”  People will spend more on a piece of art than than they will on a mug. I know other potters who have made this transition and found some success. This is a hard leap for me to make though. I’ve always made dishes and I love that connection to daily use. I really don’t know what the answer is, but I know I haven’t found the magic key yet to both making what I love and making a good living. I’d be interested to hear your thoughts on this!

Green Love Treasury

I've been included in this sweet etsy treasury celebrating the color green. I am so sick of the Minnesota winter and ready for spring. This is a nice taste of spring, it almost makes me forget we have months of bitter weather yet to go. Sorry so few posts lately but I've been consumed by house hunting and thinking about getting our packed to the gills house ready to sell. Plus, trying to make a few nice pots. In the vein of house cleaning and spring cleaning, I've been posting some older clearance pots on my etsy page to move them on to new homes and will be adding more soon. Plus, some new work and Valentine's inspired items too!

Open Studio December 13 -- NKB Holiday Art Market

My studio (#394) will be open this Saturday, Dec. 13, from noon-5pm for Northrup King Building's Holiday Art Market. Stop by for snacks, cookies and hot tea. This is a wonderful, relaxed shopping atmosphere a far cry from the mall. Our studio features my pottery, tiles and ornaments, Lucy's whistles and Claudia's terra cotta sculpture and jewelry. Find lots of other unique locally made gift items throughout the building.

As a special treat, my father-in-law will be stopping by to add to the festivities by playing accordian music for your enjoyment. He'll start playing at around 1:30 and play 'til he's tired!

Also, put your name in a drawing to win one of my handmade ceramic globe ornaments. I'll be drawing the winner after the shopping hours on Sat., Dec. 20. Hope to see you!

Minnesota Monthly Pick!

I was thrilled to find out that one of my bowls is included in the December issue of Minnesota Monthly magazine as one of Elizabeth's Picks, a gift guide featuring Minnesota-made gifts. They found my work at Gallery 360 in Minneapolis, where I have a five-foot show up (this is like a featured artist) through mid-January. I have a really nice selection of work there for this show, including pots, ornaments and some brand new tile designs. By the way, this is one of my favorite gallery/gift shops in the twin cities! My husband has learned that when he needs to find me a gift, he can't go wrong buying me jewelry or art from this cute shop.